Since my body of work is so tied to my personal experiences, I figure it makes sense to give an overview of things every now and then, as these days my life seems to happen more quickly than I can easily keep track of. But in order to give you the full context of where I am at the moment, we're going to have to back up a bit.Read More
It's been a long time in the works, but my Patreon is finally LIVE!
Your support of my work will make a difference in the body of paintings I'm able to produce going forward, now more than ever. So head on over to https://www.patreon.com/sasharjones and pledge at whatever tier appeals to you! Or if you aren't able to financially contribute at this time (I've been there!) then please consider sharing my work with a friend or on social media. It really does make an appreciable difference!Read More
It's here! Once a year, I run a big autumn sale where I not only mark down every item in the store, but I open the vaults and make even convention exclusives like luster prints and playmats available for grabs.Read More
At the recent C2E2 convention in Chicago, I had my Nomad art satchel stolen during load-out, with about $500 worth of supplies and work in progress pieces inside. I've done what I could to recover it, but unfortunately it seems long gone.
In order to try and recoop some of the costs of replacing the supplies, I'm running a big sale online, as well as two marathon streaming events during which I'll create a bunch of small originals and live auction during the streams.Read More
If you follow me on social media you may have already caught a session or two, but now that I've had a week or so to iron out the technical hiccups, I'm excited to announce that I'm now streaming regularly on Twitch Creative!Read More
I'm happy to say that we now accept Paypal for all purchases through the online store! I've been using Paypal for more than 12 years, starting back when I was a teenager taking my first commissions online. It's been an important part of my small business since then, so I'm happy to offer it as a convenience going forward.Read More
The past two months have seen me take the plunge and table my first three conventions, after a tremendous deal of research and planning. I'd avoided them for a while, laboring under the false assumption that my lack of much online reception to my work was indicative of how it would be received in person. I know now that that assumption was one based on fear, and that really, things work the other way around; working conventions has provided me a wonderful opportunity to connect with people through my work in the way I've always longed to.
My first show of the year was Staple!, a little local con which a lot of my friends regularly attend, followed by Texas Furry Fiesta the very next weekend, and then the local Havencon the month after.Read More
There are a few programs I use on an almost daily basis as an artist and illustrator which I find invaluable, but that seem to be unfortunately more secret than they deserve to be. Which is too bad, because they solve a lot of small workflow problems that I think a number of people would find useful!Read More
When I look back at the past year, it keeps going back not to early January, but to attending my first Illuxcon in September 2014. It was my first real introduction to the community of Fantasy Art/Imaginative Realism, and I went not quite knowing what to expect, but hoping it would be the beginning of something, a lead to the way forward, whatever that was. I had some cobbled-together notion of what being a 'Professional Freelance Fantasy Artist' was supposed to be like-- very tough, with long hours and a lot of uncertainty. But I was very determined, or at least I had enough drive to just surpass the similarly large quantities of anxiety lurking just beneath the surface.
I distinctly remember climbing the stairs to the second floor of the Allentown Art Museum at Illuxcon and feeling a sense of wonder wash over me as I saw the dozens upon dozens of paintings hanging on the walls. They seemed to almost radiate with an internal glow, and there was something about the space itself which had a magic about it-- one which cannot be owed just to the art, but by a greater degree to the people there.Read More
I've been preparing for a while and it's finally time: My Kickstarter for Holding Back Birds is live!
It was a long journey for me to get to this painting, ‘Holding Back Birds’, and the result is a big personal milestone for me. I’ve wanted to express trans themes in my art for a long while now, but had been afraid to- I’ve been fortunate enough to avoid aggression in my daily life, and worried that putting these themes on the page would invite that. Thankfully, my friends and mentors encouraged me to do it anyway, and I’ve had nothing but enthusiastic and positive responses in return, from all sorts of people.
I want to create paintings which show different gender experiences and trans bodies the way the human figure has been shown in art– as aesthetically beautiful and self-realized. Society has a tendency to either revile or fetishize trans bodies, and I want to offer something else, to normalize what is just another way of being human. This painting is the start of that, for me.
If you aren’t looking for a print or are unable to just now, signal boosting and sharing my work is always tremendously appreciated. It's your support which makes all this possible for me.
Thank you so much, as always.Read More
I've been back home from Illuxcon for a few days now and have still been thinking about it a lot. Going there this past week marked 1 year since my introduction to the fantasy illustration community in person at my first Illuxcon last year. In some ways it feels like it's been longer than a year-- the fire of inspiration and determination from that initial introduction last fall has lasted me well. I was impassioned to grow not only as an artist but as a person, and I've spent so much of the last year focused on the next milestone I needed to get my portfolio ready for, that until now I hadn't stopped to really realize how far I have come.
I didn't realize it until I'd left, but this year I was much more focused on the people than on the art. The art was just as stunning as the year before, but I was hungry for connections with friends and to catch up with certain art directors, and it wasn't until I'd gotten home that I realized I hadn't spent as much time immersing myself in actual paintings as I might have liked to. But maybe that's what I needed-- and I certainly got it. There was a lot of vulnerability at IX last week, from artists sharing personal stories and showing personal work-- and I came prepared with the same. Every time I shared the personal story behind my Holding Back Birds painting (which I'll be posting in a few days), and was willing to be open like that, I was rewarded with someone being open and trusting with me in turn, and it was a tremendously powerful thing. I don't quite know how to express how that felt, to be leading these conversations that I was afraid to be having, and finding people light up with enthusiasm and genuineness in return.
But I know that I'm on the right path, both in my business and in my personal work, now. I'm really excited for the year to come, and I feel like the workshop I'm attending next week will only solidify that in place.
Once I get back into town, the rest of the year will be focused on commissions and wrapping up projects from this year. If you want a commission before Christmas, now is your last chance to let me know! You can find my info on that here. Otherwise, stay tuned for a bunch of stuff coming up this next month!